Tyler Durden's Project Mayhem serves as a manifestation of society's
anxiety toward its own increasing "feminization" via consumerism and
self-obsession. Tyler Durden's seeks to restore masculinity to society with his
army of identity-less, destructive male fighters. The only man who is given a
name by Tyler's army at the end of the movie is Robert Paulson, undoubtably the
most effeminate man of the group. A survivor of testicular cancer, Paulson lost
his testicles and grew what the narrator refers to as "bitch tits"
resulting from elevated levels of estrogen. It is also revealed that Paulson
lost his wife and his family. He serves as the ultimate representation in fight
club of what Durden's force fears most: dehumanization and the loss of
masculinity resulting from the failures of postmodern developments. When
Paulson dies tragically in a Project Mayhem venture, he is transformed into an
iconic symbol of the movement. The men begin chanting "his name is Robert
Paulson," and Paulson's name is carried across the country to the farthest
ends of the Mayhem force. Paulson’s presence in the film is essential to the
portrayal of male-based panic of fleeting masculinity. He also serves to
illuminate an essential aspect of project mayhem: anonymity. In life, the
individual members of the force are dehumanized; they are meant only to serve
and strive toward a common goal against the ultimate enemy.
Bob also serves as a key point of disagreement between the narrator and Tyler. Whereas Tyler would have taken Paulson's death as an anonymous sacrifice toward the greater good, the narrator insists that Robert Paulson be recognized in death. At this point, the narrator's inevitable internal/external conflict with Tyler becomes apparent.
-Kayla

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