Sunday, April 6, 2014

Less Than Zero as an Autobiography

                Less Than Zero, claimed to be the “Catcher in the Rye for the MTV generation” by the USA Today quote on the back cover, revives the angst in me that I had nearly forgotten about after being separated from my parents for such a long time. I, and I’m sure many others, have felt Clay-esque emotions after going across the country to a new place for the first months of college and returning back to the same old familiar home. The familiar home which seems all-too-familiar, with friends you once held fond memories of but not sure if you feel the same way anymore, and with roads and places no longer being as attractive as they once were. After the first couple of passages of Clay’s narrative, I couldn’t really relate to his story anymore, but his angst throughout (not the way he carried through with it) really resonated with my younger adolescent years.
                Like others, I was compelled by Clay’s reckless and glamorous lifestyle and I could hardly imagine people living like this in real life, so I decided to do some research on Bret Easton Ellis to see if this work was possibly autobiographical in anyway. Not surprisingly, like other works we’ve read in class, it was. Bret grew up in Los Angeles (which was pretty much already known, given his familiarity with the region), went to a prep school, and then went to a college in Vermont, not too far off from Clay’s college state, New Hampshire. He doesn’t identify consistently with a particular sexuality, partly because he claims he doesn’t want to be read as a straight/gay/bisexual author.
                Probably for most readers, who aren’t part of “the industry” in LA or the wealthy Beverly Hills cliques, Less Than Zero represents a story of super rich kids (shout out to Frank Ocean) who are selfish, stupid, and too bored to do anything productive other than snort coke and drink champagne. Yet I can’t help but deeply sympathize with him.


-Carrie

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