I
attended “Making Up is Hard to Do” and “Because I Said So.” I will blog about
“Making Up is Hard to Do,” but I want to briefly mention an interesting
observation made during the Q&A of the other panel.
Two
of the papers in “Because I Said So” presented back to back with completely
opposite arguments. One student wrote about Four Lions, a dark comedy
about unlucky terrorists; he proposed that ideology is most dangerous when it
is brought to life in its most extreme form by a follower’s overzealous,
uncompromising belief in it. The next presenter, however, made a case to
support ideology’s ability to free its followers from oppression, as
demonstrated in Kindred. What we learn from this seeming contradiction
is this: what matters is not the vehicle for your experience, but how you use that vehicle that shapes
your experience and what you learn from it.
Back
to the first panel. Three of the papers proposed interesting ideas about the
identities of their respective protagonists. One student wrote about Billy from
Slaughterhouse-Five, claiming that he is a Christ-like figure. She
believes that he has a high capacity for empathy and many other qualities that
Jesus possessed. However, she did not use this comparison as a way to elevate
Billy’s character; on the contrary, she used his similarities to Jesus as
evidence for Vonnegut’s anti-Christian ideas. That is, if humans only pursue
moral action in response to fear and threats, then they are not inherently
good. Another student defended the characters in On the Road, suggesting
that they are not rebels, but reformers wishing to improve their narrow-minded,
nuclear family units. The third student gave an interesting analysis of the use
of green and blue colors in The Great Gatsby to signify Fitzgerald’s
loss of his Irish identity to the melting pot of America and the clash between
Eastern and Western values. I think all three presenters did especially well in
offering unique perspectives on well-known, well-analyzed works (yay for
alliteration).
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